All along the Body
Altes Landgut
Aquaplan
Babyn Yar
Bahnhofplatz Mödling
Bergisel
Bosch
City Transistor
Das Fortlaufende Haus
Doppelwendel, neroisch
Dynamisches Labyrinth
Faux Terrains
Favoritner
Gustav mit der Tröte
Haus im Tösstal
House D
Ho Kabakaba [1-2]
Immigrated Ground
Incorporation
Inflatable World
Innraininsel
Irrtümer und Modelle
Kleiner Diebstahl
Kulturforum Westfalen
Kunsthalle Bremen
Landhausplatz
Lindenareal
Mariahilferstrasse
Memento mori
Mit dem Berg ins Tal
Neuer Markt
Nasen
Of Other Environments / Bahnhofplatz Dietikon
Parkschule
Piranesi in Zurich
Pfau
Platz da!
Promenade médiale
Raumpark [first appearance]
Red Frog
Rock over Barock [1+2]
Rock over Barock at the Biennale
Schiehaven Project
Spreebogen
Stadion Zürich
Stadtpatio
Steirereck
Talking City
Temple of Laughter
The Big and the Flat
The Fold
The Sleep of Reason
Videopavillon
Viscéral
Vogelflug
Waterford North Quays
West Cork Arts Center
Zwitschermaschine
Altes Landgut
Aquaplan
Babyn Yar
Bahnhofplatz Mödling
Bergisel
Bosch
City Transistor
Das Fortlaufende Haus
Doppelwendel, neroisch
Dynamisches Labyrinth
Faux Terrains
Favoritner
Gustav mit der Tröte
Haus im Tösstal
House D
Ho Kabakaba [1-2]
Immigrated Ground
Incorporation
Inflatable World
Innraininsel
Irrtümer und Modelle
Kleiner Diebstahl
Kulturforum Westfalen
Kunsthalle Bremen
Landhausplatz
Lindenareal
Mariahilferstrasse
Memento mori
Mit dem Berg ins Tal
Neuer Markt
Nasen
Of Other Environments / Bahnhofplatz Dietikon
Parkschule
Piranesi in Zurich
Pfau
Platz da!
Promenade médiale
Raumpark [first appearance]
Red Frog
Rock over Barock [1+2]
Rock over Barock at the Biennale
Schiehaven Project
Spreebogen
Stadion Zürich
Stadtpatio
Steirereck
Talking City
Temple of Laughter
The Big and the Flat
The Fold
The Sleep of Reason
Videopavillon
Viscéral
Vogelflug
Waterford North Quays
West Cork Arts Center
Zwitschermaschine
Faux Terrain – Panorama Bergisel
A new building for presenting the historical battle painting Die Schlacht am Bergisel (The Battle of Bergisel) by Michael Zeno Diemer (1894). The painting, in the form of a panorama (Riesenrundgemälde), will be relocated to the original site of the battle from August 13, 1809, in Innsbruck.
What we found were constructions of complex terrains, fields and ideas: the site’s technological alpine environment on the one hand (an environment that we often still call nature), and still vivid strange mental constructions of a heroic Tyrolian history on the other hand – conceptions that allow the constitution of identities of particular social groups.
We replaced the visitor platform of the former panorama by a topography that was formed as a three-dimensional extension of the painting into its cylindrical interior, and thus we formed a contemporary mediating Double of the building’s site. From various points in and around the building one can simultaneously experience physical and mental constructions of the same site in different epochs (time of the battle, time of the painting, present time) including the actions that took/take place there.
We expect that one will be able to experience an implosion of space and time in Proustian dimensions.
A new building for presenting the historical battle painting Die Schlacht am Bergisel (The Battle of Bergisel) by Michael Zeno Diemer (1894). The painting, in the form of a panorama (Riesenrundgemälde), will be relocated to the original site of the battle from August 13, 1809, in Innsbruck.
What we found were constructions of complex terrains, fields and ideas: the site’s technological alpine environment on the one hand (an environment that we often still call nature), and still vivid strange mental constructions of a heroic Tyrolian history on the other hand – conceptions that allow the constitution of identities of particular social groups.
We replaced the visitor platform of the former panorama by a topography that was formed as a three-dimensional extension of the painting into its cylindrical interior, and thus we formed a contemporary mediating Double of the building’s site. From various points in and around the building one can simultaneously experience physical and mental constructions of the same site in different epochs (time of the battle, time of the painting, present time) including the actions that took/take place there.
We expect that one will be able to experience an implosion of space and time in Proustian dimensions.